An illustration of a wooden recipe box of blank cards beside a loose card, a kitchen scale with flour and a mixing bowl

Family recipes

The family recipe interview: 12 questions to ask before the recipes are gone

The card says flour; grandma means until it feels right. Twelve questions that capture the real family recipe, and how archivists say to keep the cards safe.

By Rob Bush · Updated 4 Oct 2026 · 6 min read

Your aunt's potato salad card says "potatoes, mayo, mustard, eggs, the usual." You made it exactly as written for the reunion, and it was fine. It was also clearly not her potato salad, and three people told you so, kindly.

The card wasn't wrong. It just wasn't the recipe. The recipe lived in her hands, in one particular bowl, and in the fact that she dressed the potatoes while they were still hot and never thought to mention it.

The card isn't the recipe

Most family recipe cards are reminders, not instructions. They were written by someone who'd made the dish a hundred times, for someone they assumed had watched. So they list the ingredients and skip everything that matters: the pan, the heat, the moment you stop stirring, the trick with the hot potatoes.

That's why "just write it down for me" rarely works. Ask a confident home cook to write out a recipe and you get the card. Stand beside them while they cook and you get the recipe. The gap between the two is what this whole exercise is for.

Some of what's missing is old kitchen vocabulary, the oleo and moderate ovens that need translating. Most of it simply never got written down. You have to go and collect it.

Before you start: cook together, record, weigh the handfuls

Cook together if you can. Pick one dish and ask to make it alongside them. Not "show me sometime." A date, a grocery run, the actual thing. One afternoon at the counter teaches more than a year of phone calls.

Record the audio, with permission. Ask first, and ask again once the recorder is running. The Smithsonian Institution Archives' oral history guide lists "Do I have permission to record this interview?" as question two, right after the person's name. It also recommends a quiet room, open questions ("tell me about…") instead of yes-or-no ones, and offering a break after an hour or less. A phone on the counter is plenty. You won't remember the stories the way they told them. The recording will.

Weigh the handfuls. When they reach for "a handful" of flour or "some" sugar, ask them to pause and drop it onto a kitchen scale, or into a measuring cup, before it goes in the bowl. They will roll their eyes. Do it anyway. That number is the single most useful thing you'll take home.

Photograph the stages, not just the finished dish. The dough before it rests. The color of the gravy when they say it's ready. "Like this" is a photo, not a sentence.

The 12 questions

Bring these on a card of your own. You won't need every one for every dish, but the ones you skip tend to be the ones you wish you'd asked.

  1. Where did this recipe come from? Who made it first, and how has it changed since?
  2. What do you serve it with? Some dishes only make sense next to their partner.
  3. How much is a "pinch", really? Have them do it, then measure what's in their fingers.
  4. Which pan do you use? Size, material, and whether it matters. It usually does.
  5. What's your oven like? Runs hot, runs cold, a back corner that scorches. Family recipes were tuned to one specific oven.
  6. What should it look, feel and smell like when it's right? This is the question that captures what the card leaves out.
  7. What goes wrong? Every family recipe has a failure mode. Ask what it is and how they rescue it.
  8. What do you swap when you're out of something? You'll learn which ingredients are sacred and which are suggestions.
  9. Who taught you? Recipes have lineages. Get the names.
  10. When do you make it? Holidays, birthdays, the first cold week of the year. The occasion is part of the recipe.
  11. What's the story? There's always one. Let them tell it, even if you've heard it before.
  12. What would you change? Sometimes the answer is "nothing." Sometimes it's "I always thought it needed more lemon," and that's the version you'll end up making.

Don't march through them like a form. Ask one, then let the answer wander. The Smithsonian guide says to allow the interviewee to drift off-topic, because "these can be the best part of your interview." It also says to let them tell their favorite story, since "most interviews have a favorite story." In a kitchen, the favorite story is usually about the time the dish went wrong. Get that one.

Keeping the cards safe

Once you have the real recipe, the original card still matters. It's the handwriting. It's the grease spot that shows which corner got held most. Here's how archivists say to look after it.

Don't laminate it. The Library of Congress describes lamination as "a now obsolete" method that bonds plastic film to paper with heat; undoing it takes repeated solvent baths. Laminating a recipe card at the office supply store is permanent in the bad way.

Use clear sleeves instead. Mary Lynn Ritzenthaler, former chief of the National Archives conservation lab, recommends clear polyester film sleeves for cards you still cook from, "to protect them from food spills and greasy fingerprints." She warns against "magnetic" photo albums with self-stick pages, which discolor paper over time. The Library of Congress lists polyester, polyethylene and polypropylene as stable plastics and says to avoid PVC.

Store originals flat, dark and indoors. Don't add new folds. The National Archives says to keep family papers below 75°F (24°C) and under 65 percent relative humidity, and out of "damp basements, garages, and hot attics." A box on a closet shelf beats a tin in the garage every time.

Scan or photograph them. The Library of Congress's personal archiving guide says, "in general, scan documents and photos" at 300 dpi. A phone works if you shoot in daylight, straight on, with the card filling the frame. The National Archives adds that you should keep the originals after digitizing, "because digital files have their own preservation risks," and back up the files with the 3-2-1 rule: three copies, on two kinds of media, one stored somewhere else. If that sounds like a lot, there's a simpler routine for any recipe collection.

Display copies, not originals. Framing grandma's handwriting in the kitchen is a lovely idea. The National Archives says the best protection from light is to display copies and keep the originals in a box. A color print of the scan looks just as good on the wall, and the real one doesn't fade in the sun over the sink.

Making it a family cookbook

After a few interviews you have the makings of a family cookbook, and it doesn't have to be fancy. For each recipe, keep three things together:

That combination is the whole point. The typed version lets anyone cook it. The card photo keeps the person in it. The notes keep the reasons.

Then share it. Print a few copies, send the file to the cousins, keep one somewhere that isn't your laptop. A family cookbook that lives on a single hard drive is one spilled coffee away from becoming another lost card. And if your family's big meal is a holiday, the interview pays off fast: the person who knows how the whole day runs is the one to ask before you're the one running the oven.

This week

Text one person: "Can I come over and make the potato salad with you? I want to write down how you really do it." Swap in the dish. Pick a date. Bring a scale, your phone and the twelve questions. Start with the pinch. It's the easiest way in, and nobody has ever measured it before.

Rob Bush is the founder of A La Carte.